位元陶計畫:衍生現象 / 前置
Binary Pottery: Derivative Phenomenon/Pre-position
Binary Pottery: Derivative Phenomenon/Pre-position
闞凱宇
闞凱宇 1984 年生於臺北,畢業於交通大學建築研究所,為 FabCraft Design Lab 和 MakerBar 創辦人。同時具備創業者、設計師、藝術家的身份,長期透 過數位製造進行創作及研究。堅信設計是一種行動,而各種形式的創作都是為了響應行動所做出的呼應,面對未來的社會需求,為迎接更開放且多元的跨領 域合作而打造出 MakerBar 的共創平臺,期許透過開源的設計專案進行改造世界的理想。
Kamm Kai Yu Was born 1984 in Taipei, graduated from National Chiao Tung University MS. Is an entrepreneur, designer, and artist, creating and study art through digital manufacturing for long term. Believe in design is an action, all forms of creation are correspondence of action. Facing future society needs, a co-making space, MakerBar Taipei, had built to accept a more liberal and diverse interdisciplinary cooperation. The vision is to recreate the world by getting on open source design projects. |
計劃形塑空間結構雕塑,觀賞者在遠距離察覺到傳統的拱形建築結構,隨著距離的推進逐漸感知到結構表面的紋理變化及材質差異,近距離觀察得知表面紋理回應造型本身承重結構,呼應了自 19 世紀起機能主義所強調 Form follows Function 型隨機能理論,造型表面的紋理並非無意義的裝飾活動。
Derivative Phenomenon/ Preposition aims to shape spatial structure into sculpture. Viewers first see a traditional architectural arch from a distance. As they move closer, the surface texture of the structure and the variation of materials gradually become clear. As they observe the work closely, they realize the surface texture corresponds to thestructural form and its function to support the architectural weight. This work substantiates the theory of “form follows function” emphasized by Functionalism in the nineteenth century, and reveals that the surface texture can be meaningful rather than just decorative.
Derivative Phenomenon/ Preposition aims to shape spatial structure into sculpture. Viewers first see a traditional architectural arch from a distance. As they move closer, the surface texture of the structure and the variation of materials gradually become clear. As they observe the work closely, they realize the surface texture corresponds to thestructural form and its function to support the architectural weight. This work substantiates the theory of “form follows function” emphasized by Functionalism in the nineteenth century, and reveals that the surface texture can be meaningful rather than just decorative.