網絡植物群/ 聲音根莖
Cyber Flora: Rhizome of Sounds
Cyber Flora: Rhizome of Sounds
黃盟欽
黃盟欽畢業於國立台灣師範大學美術系博士班新媒體科技藝術組。作品關注感知形塑與身體議題,擅常結合複合媒材、聲音裝置與錄像作品。藉由思考科技媒介重構下的視覺架構,經由空間場域的佈局與引導,營造出身體、時間與空間的連結敘事,召喚觀者在覺知運作下接收訊息與情感作用,充滿特殊的視覺語彙與情緒張力,體驗情緒能量釋放出的感官訊息,織造成為多重互文性的當代科技景觀。
HUANG, Meng-Chin received a Ph.D. degree from the new media and technology art group of the Fine Arts Department of National Taiwan Normal University. His works focus on the formation of perception and issues of the body. He specializes in combining mixed-media, sound devices and video works. By exploring the visual reconstruction of the technological media, and employing guiding arrangement in spatial sites, the artist creates a connected narrative of body, time and space, through which viewers receive information and emotional effects under the awareness operation. His work is informed by special visual and emotional tension, enabling viewers to experience the sensory message released by emotional energy and weaving a multi-intertextual landscape of contemporary technology. |
網絡、聲音技術與自然界是影響我創作的三位一體。網絡植物群/ 聲音根莖(Cyber Flora:Rhizome of Sounds)架構出聲音串連燈光裝置的空間意象,透過根莖圖式探討網絡城市的解疆域概念,儘管聲音元素無法被視覺辨識,但卻以微妙且具體的方式存在於生活周遭。此作品布局成網絡植物群的建築景觀,讓觀者置身其中,透過聲音根莖的引導形構城市中的多元性原則,試圖讓觀者體驗人工自然、精神現實、想像圖像與未知世界的存在關係。
Network, sound tech and nature are the trinity that influences my creation., Cyber Flora: Rhizome of Sounds constructs a spatial image of sound-connected lighting devices, which discusses the concept of the network domain through the rhizome pattern. Although sound elements cannot be visually recognized, they exist in life in a subtle and specific way. The installation is laid out as an architectural landscape built with the network flora, in which viewers can explore freely. Through the guidance of the sound roots that shape the pluralism in a city, the work leads viewers to experience the existence of and relationship among artificial nature, spiritual reality, imaginary images and an unknown world.
Network, sound tech and nature are the trinity that influences my creation., Cyber Flora: Rhizome of Sounds constructs a spatial image of sound-connected lighting devices, which discusses the concept of the network domain through the rhizome pattern. Although sound elements cannot be visually recognized, they exist in life in a subtle and specific way. The installation is laid out as an architectural landscape built with the network flora, in which viewers can explore freely. Through the guidance of the sound roots that shape the pluralism in a city, the work leads viewers to experience the existence of and relationship among artificial nature, spiritual reality, imaginary images and an unknown world.