當下與過往交融的共時性2018
The Blended Synchronicity between Current and Past 2018
The Blended Synchronicity between Current and Past 2018
龍祈澔
龍祈澔為澳洲University of Sunshine Coast 藝術創作博士;澳洲Griffith University數位設計碩士,與國立台灣藝術大學美術系學士。曾任台北實踐大學3D動畫兼任講師,國立交通大學應用藝術研究所數位影像創作業界教師,國立台灣藝術大學視覺傳達學系兼任助理教授;南華大學視覺媒體藝術學系專任助理教授,現為國立臺北科技大學互動設計研究所專任助理教授。
其研究領域及創作在探究數位媒體對於人的存在模式以及感知演變現象,涵蓋:虛擬與網路空間、數位介面與超身體現象、與後人類文化。教學經驗包括對數位藝術與多媒體文化探討、空間藝術創作及展演形式、3D建模與動畫製作、文創商品企劃與開發。對於多媒體影像相關研究與開發新視覺與感知經驗的形式創作上,企圖以切入開發(反映)欲望形式的核心價值/原型的角度思考與發展。 Chi-Hao Lung holds a PhD in Creative Arts from the University of Sunshine Coast, a master degree in Digital Design from Griffith University in Australia, and a bachelor degree from the Department of Fine Arts, National Taiwan University of Arts. Lung was Adjunct Lecturer of 3D animation at Shih Chien University, professional instructor of digital image creation at the Institute of Applied Arts at National Chiao Tung University, Adjunct Assistant Professor at the Department of Visual Communication at National Taiwan University of Arts, and Assistant Professor at the Department of Visual Arts and Design at Nanhua University. He is currently Assistant Professor at the Graduate School of Interaction Design, National Taipei University of Technology. His research and creative work explores the effect of digital media on human’s mode of existence and the evolution of perception, which include virtual and cyber space, digital UI and hyper body phenomena, and post-human culture. He has taught various subjects, including digital arts and multi-media culture, spatial art creation and forms of exhibition, 3D model construction and animation production, cultural and creative merchandise planning and development. In his artistic creation related to multi-media image research and the development of new vision and perceptual experience, he adopts the form of discovering (reflecting) desire as the core value/ prototype to think and develop his work. |
影像敘事透過鏡頭作為體驗的代理人,傳達出擷取當下實際的空間與自身的存在狀態。本系列創作是以帶有運鏡或時間性的影片為基底,混入即時可改變於為影片空間內的影像元件,創造出增生、強化、衝突、荒誕、超現實等另類的延伸心理空間。影片中實際的空間場域,透過鏡頭的緩移,得到當下所保存的特定時空氛圍,此時若是即時改變影片空間中之物件、符號、或帶有意象之線索,則原本單向影像敘事的認知連續性將會斷裂,當第一人稱主體的過往體驗,與當下第三人稱客體的即時空間性干擾,兩者交互影響下,產生的「當下與過往交融的共時」。
榮格的「共時性」原是現實經驗透過潛意識與當下事件的觸發,而反饋出的心理關連。 此一單向與即時兩種不同敘事的認知,組合於相同時空裡,物件之空間關係被重新構築,令觀者在時序與互動圖像組合的經驗秩序下,更自由解讀其認知歷程,透過不斷探索即時更新的「圖像隱喻」,探索與融合出翻新的敘事文本。
這次展出內容為本系列的其中兩件,其結合了兩個現實場景的影片,分別為屋舍旁的閒置空間,動物園一區。將利用即時的手勢操作(Leap Motion),進行實現此三種場景中當下的介入,並與影片中的既定時空融合,而產生特殊的共時敘事現象。
Through the camera lens, visual narratives become an agent for experience, with the captured space and state of the Self conveyed. This art series comprises of videos created with camera movements or those with a sense of temporality, which are mixed with visual elements inside the space of the video that could take on instantaneous changes, resulting in proliferated, reinforced, conflicted, absurd, surreal, and other alternative extended psychological spaces. The unique spatial and temporal ambiances of the tangible spaces, domains or specific imageries evoked by certain events, things, symbols, or actions in the videos are preserved through slow camera movements. The interpretable visual objects, sequential arrangements, and textual evocations of multiple instantaneous spatial topological gestures and formations have allowed the images to enter into a state of nether and to take on life-like qualities. The artworks in this series seek to figuratively render “the blended synchronicity between the current and the past” that has resulted from interactions between the past experiences of the first person subject and the real-time spatial interferences from the third person object.
“Synchronicity” proposed by Carl Jung describes psychological associations that are responses to realistic experiences triggered by the subconscious and the event in the given moment. Cognitions for the two different narratives – one-directional and instantaneous – are arranged in the same space-time. With the physical space-time relation reconstructed, viewers are given more freedom to interpret their own cognitive processes under the experience orders assembled with time sequences and interactive images, and through continual exploration of the instantaneously updated “pictorial metaphors,” the narrative text is explored, blended, and updated.
Two works from this series are featured in this exhibition, with videos based on two realistic settings that include a vacant space next to a house and an area in a zoo. Interventions are engaged in the settings with the use of real-time recognition through a leap motion controller, and by blending with the existing space-times in the videos, unique synchronic narratives are produced.
榮格的「共時性」原是現實經驗透過潛意識與當下事件的觸發,而反饋出的心理關連。 此一單向與即時兩種不同敘事的認知,組合於相同時空裡,物件之空間關係被重新構築,令觀者在時序與互動圖像組合的經驗秩序下,更自由解讀其認知歷程,透過不斷探索即時更新的「圖像隱喻」,探索與融合出翻新的敘事文本。
這次展出內容為本系列的其中兩件,其結合了兩個現實場景的影片,分別為屋舍旁的閒置空間,動物園一區。將利用即時的手勢操作(Leap Motion),進行實現此三種場景中當下的介入,並與影片中的既定時空融合,而產生特殊的共時敘事現象。
Through the camera lens, visual narratives become an agent for experience, with the captured space and state of the Self conveyed. This art series comprises of videos created with camera movements or those with a sense of temporality, which are mixed with visual elements inside the space of the video that could take on instantaneous changes, resulting in proliferated, reinforced, conflicted, absurd, surreal, and other alternative extended psychological spaces. The unique spatial and temporal ambiances of the tangible spaces, domains or specific imageries evoked by certain events, things, symbols, or actions in the videos are preserved through slow camera movements. The interpretable visual objects, sequential arrangements, and textual evocations of multiple instantaneous spatial topological gestures and formations have allowed the images to enter into a state of nether and to take on life-like qualities. The artworks in this series seek to figuratively render “the blended synchronicity between the current and the past” that has resulted from interactions between the past experiences of the first person subject and the real-time spatial interferences from the third person object.
“Synchronicity” proposed by Carl Jung describes psychological associations that are responses to realistic experiences triggered by the subconscious and the event in the given moment. Cognitions for the two different narratives – one-directional and instantaneous – are arranged in the same space-time. With the physical space-time relation reconstructed, viewers are given more freedom to interpret their own cognitive processes under the experience orders assembled with time sequences and interactive images, and through continual exploration of the instantaneously updated “pictorial metaphors,” the narrative text is explored, blended, and updated.
Two works from this series are featured in this exhibition, with videos based on two realistic settings that include a vacant space next to a house and an area in a zoo. Interventions are engaged in the settings with the use of real-time recognition through a leap motion controller, and by blending with the existing space-times in the videos, unique synchronic narratives are produced.